2022 Scotiabank Giller Prize
We’re proud to celebrate the very best in Canadian fiction through our sponsorship of the Scotiabank Giller Prize.
2022 Shortlist
Browse the selection below of the 2022 Scotiabank Giller Prize-nominated shortlisted books and discover unique stories and perspectives from across Canada ahead of the winner announcement on November 7, 2022.
In the twelve unforgettable tales of Lesser Known Monsters of the 21st Century, the strange is made familiar and the familiar strange, such that a girl growing wings on her legs feels like an ordinary rite of passage, while a bug-infested house becomes an impossible, Kafkaesque nightmare. Each story builds a new world all its own: a group of children steal a haunted doll; a runaway bride encounters a sea monster; a vendor sells toy boxes that seemingly control the passage of time; an insomniac is seduced by the Sandman. These visions of modern life wrestle with themes of death and technological consequence, guilt and sexuality, as they unmask the contradictions that exist within all of us.
From the internationally acclaimed author of the novels De Niro’s Game, Cockroach, Carnival and Beirut Hellfire Society, here is a captivating and cosmopolitan collection of stories.
In Montreal, a photographer’s unexpected encounter with actress Sophia Loren leads to a life-altering revelation about his dead mother. In Beirut, a disillusioned geologist eagerly awaits the destruction that will come with an impending tsunami. In Tokyo, a Jordanian academic delivering a lecture at a conference receives haunting news from the Persian Gulf. And in Berlin, a Lebanese writer forms a fragile, fateful bond with his voluble German neighbours.
The irresistible characters in Stray Dogs lead radically different lives, but all are restless travelers, moving between states—nation-states and states of mind—seeking connection, escaping the past and following delicate threads of truth, only to experience the sometimes shocking, sometimes amusing and often random ways our fragile modern identities are constructed, destroyed, and reborn. Politically astute, philosophically wise, humane, relevant and caustically funny, these stories reveal the singular vision of award-winning writer Rawi Hage at his best.
In the wake of China’s invasion of Tibet throughout the 1950s, Lhamo and her sister, Tenkyi, arrive at a refugee camp on the border of Nepal, having survived the dangerous journey across the Himalayas into exile when so many others did not. As Lhamo—haunted by the loss of her homeland and her mother, the village oracle—tries to rebuild a life amid a shattered community, hope arrives in the form of a young man named Samphel and his uncle, who brings with him the ancient statue of the Nameless Saint, a relic long rumoured to vanish and reappear in times of need.
Decades later, the sisters are separated, and Tenkyi is living with Lhamo’s daughter, Dolma, in Toronto's Parkdale neighbourhood. While Tenkyi works as a cleaner and struggles with traumatic memories, Dolma vies for a place as a scholar of Tibetan Studies. But when Dolma comes across the Nameless Saint in a collector’s vault, she must decide what she is willing to do for her community, even if it means risking her dreams.
Breathtaking in scope and powerfully intimate, We Measure the Earth with Our Bodies is a gorgeously written meditation on colonization, displacement, and the lengths we'll go to remain connected to our families and ancestral lands. Told through the lives of four people over fifty years, this beautifully lyrical debut novel provides a nuanced portrait of the world of Tibetan exiles.
The Sleeping Car Porter brings to life an important part of Black history in North America, from the perspective of a queer man living in a culture that renders him invisible in two ways. Affecting, imaginative, and visceral enough that you’ll feel the rocking of the train, The Sleeping Car Porter is a stunning accomplishment.
Baxter’s name isn’t George. But it’s 1929, and Baxter is lucky enough, as a Black man, to have a job as a sleeping car porter on a train that crisscrosses the country. So when the passengers call him George, he has to just smile and nod and act invisible. What he really wants is to go to dentistry school, but he’ll have to save up a lot of nickel and dime tips to get there, so he puts up with “George.”
On this particular trip out west, the passengers are more unruly than usual, especially when the train is stalled for two extra days; their secrets start to leak out and blur with the sleep-deprivation hallucinations Baxter is having. When he finds a naughty postcard of two queer men, Baxter’s memories and longings are reawakened; keeping it puts his job in peril, but he can’t part with the postcard or his thoughts of Edwin Drew, Porter Instructor.
In the aftermath of the Arab Spring, an Egyptian American woman and a man from the village of Shobrakheit meet at a café in Cairo. He was a photographer of the revolution, but now finds himself unemployed and addicted to cocaine, living in a rooftop shack. She is a nostalgic daughter of immigrants “returning” to a country she’s never been to before, teaching English and living in a light-filled flat with balconies on all sides. They fall in love and he moves in. But soon their desire—for one another, for the selves they want to become through the other—takes a violent turn that neither of them expected.
A dark romance exposing the gaps in American identity politics, especially when exported overseas, If an Egyptian Cannot Speak English is at once ravishing and wry, scathing and tender. Told in alternating perspectives, Noor Naga’s experimental debut examines the ethics of fetishizing the homeland and punishing the beloved . . . and vice versa. In our globalized twenty-first-century world, what are the new faces (and races) of empire? When the revolution fails, how long can someone survive the disappointment? Who suffers and, more crucially, who gets to tell about it?
